Notable signs of someone with DAW Bias are: This is marked by the belief that only amateurs and people without talent use How to use flstudio Studio, and is usually accompanied by being a low-key hater of Hip-Hop and EDM. However, behind many biases are a grain of truth. DAWs are complex and reading manuals is boring.
FL Studio: A Beginner’s Guide
Notable signs of someone with DAW Bias are: This is marked by the belief that only amateurs and people without talent use FL Studio, and is usually accompanied by being a low-key hater of Hip-Hop and EDM. However, behind many biases are a grain of truth. DAWs are complex and reading manuals is boring. This leads to a lot of mistakes that are simple to fix, but often go unchecked. Mistake 1: However, there is a good way to do this, and a not-so-good way to do this.
The most common mistake I see is people overloading either their individual channels, or their master channel. What does overloading mean? While we get the signal louder by turning it up, up, and up, we also lose punch and create a tonal quality that is usually worse than what we started with. Drum sample producers want their drums to appear as loud as possible, so they maximize the level of the sample.
That means when we program this sample into FL Studio, there is no more room to turn it up without distorting!
However, once you export to a fixed bit depth like 16 or 24, or convert your export at 32 to an mp3, any overs suddenly become clips. By doing this, you leave yourself room to turn things up or down. Watch for those little red squares at the top of your channels. But how do you make the playback loud? The limiter will prevent clipping.
And while it may seem counterintuitive, by turning things down at the very beginning you will actually have an easier time getting things even louder at the end. Mistake 2: Velocity, Time Offset and Swing. Music is dynamic — meaning it changes. If everything hits exactly the same, exactly on the beat, it sounds like robots made it.
Which in some circumstances can be ok. Freezepop has made an entire subgenre of their own from strictly quantized, robotic sounding music. And the hi-hat rolls in Trap kind of work, somehow. However, most music benefits from dynamics and pocket changes in level and timing.
By default, FL will put a hit at a designated velocity on the exact timing of a beat. But if you open up the sequencer window you can find that all of this is adjustable. Making some micro-timing adjustments can give the record an exciting feel. If you want something relaxed and groovy like the kind of Hip-Hop we like to smoke wee … err … relax to, drag those snares ever so slightly late. Swing Trap? Somebody better do it, or I will.
Mistake 3: Stagnant Arrangements Music is progressive. No one is trying to hear that. People want arc, drama and excitement. Make a format to help them tell their story! Mistake 4: The best producers know this and take full advantage of being able to both play live and program by sequence. Mistake 5: When exporting, we want the absolute highest quality file we can print out. For this I would just straight up copy these settings: I generally recommend not printing bit float unless you will be doing further treatment to the track yourself — like if you are going to pull the file back into another DAW to do your own mastering for example.
Very few audio playback systems accept float and will either reject the file or convert it to a non-floating bit depth. Currently that number is Mistake 6: When advertising your production on your sales page, I completely advise making a heavily compressed, pumped up, loud version of the instrumental. In order to get the vocals to blend well with the music, whoever is recording and mixing needs space in the record.
If the record is slammed, whether through compression, limiting or hard-clipping the master channel — there is no more room. In order to make the vocals work, the engineer will have to make concessions. Once a beat is purchased, make an alternate version that is less compressed to help the process. Your name is going on this record and over the long term, everything that can help the success of the song benefits you! The complete individual trackouts of each audio element.
This one takes a bit of judgement. However, if you know that a badass engineer will be handling the mixdown, give us the versatility to make the record the best it can be. With that selected, all the processing like EQ and compression you have on your sounds will be printed into the trackouts. So go make your music and let haters stand in the dark. Missing our best stuff?
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Setting up the peak controller in FL Studio
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